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Records include photographs taken by Georgie Stone in the process of preparing a magazine article on northern artists. Featured are two Inuvialuit carvers, Iyak (Fred Trimble) and Rex Goose, and one Inuit graphic artist, Peter Ragee of Cape Dorset. Images depict the artists while carving and drawing, and finished works.

This accession consists of one colour photograph of artist Germaine Arnaktauyok working on a painting that depicts the Inuit legend of Sedna.

This fonds consists of 1,207 photographs, including 852 predominantly black and white negatives and prints, and 355 colour slides.

The majority of the images were taken by Erik Watt between 1950 and 1995. These images fall into two broad groups: those that Erik Watt took during his career as a journalist in the 1950s and 1960s, and those Erik took primarily in the 1980s and 1990s while he was employed in various capacities. The majority of the 1950s-1960s photographs are black and white and show locations within the Northwest Territories, however, images from northern Alberta, northern Manitoba, and northern Quebec complement the overriding theme of Canada's north. A wide range of subject matter is represented in these photographs, including: DEW line operations; educational activities; views of northern communities and people from both the eastern and western arctic; Aboriginal reserves; mining operations; church work in the north; road construction; and special functions such as the official opening of public buildings. The 1980s-1990s photographs are colour slides and primarily document mine sites and infrastructure.

The remainder of the photographs were taken by Erik's father, Frederick Watt, and date between 1929-1933. These images include the first air mail flight to Aklavik, images of floatplanes and pilots, prospecting and staking activities and the establishment of the Cameron Bay settlement and mine. Some of these images were used in Frederick Watt's book "Great Bear: A Journey Remembered".

This fonds consists of 36 cm of textual material and 124 colour slides. The textual material is made up of 12 volumes of Harrman's journals dated August 6, 1959 to November 11, 1967, a manuscript of an unpublished story entitled "Lucy Beavertail," numerous short stories, sketchbooks, cards and personal records, including accounts. The 124 colour slides feature Rae and the paintings of Charles Harrman.

Records consist of translations of interviews with Helen Kalvak, an Inuit artist from Holman. Born in 1901, Helen Kalvak grew up with her parents living off the land in the Holman region. Her drawings are depictions of her memories. Many are inspired by shamanism and ancient legends. It is believed that the interviews were carried out by Father Tardy, an Oblate missionary who lived in Holman for many years and who uncovered Helen Kalvak's talent. The interviews may have been conducted in the 1960s.

This fonds consists of 0.6 cm of textual records, ca. 13,000 photographs (col. slides, col. negatives, and b&w negatives), and 31 reels of 16 mm film.

The textual records comprise two newsletters produced by Bern Will Brown and a series of letters written by Capt. C.T. Pederson. The newsletters give a brief overview of life in the community of Colville Lake during 1991 and 1992, including items of interest relating to various members of the community. The Pedersen correspondence is autobiographical, including reminiscences of C.T. Pederson of some of his activities in the north; the majority are addressed to Father Brown of Our Lady of the Snows Mission in Colville Lake, but one letter is addressed to Commander Ransom.

The photographs include images of a wide variety of subjects, particularly activities of the Catholic Church and traditional activities of the Dene, Inuvialuit and Inuit, including hunting, trapping and transportation. There are photos of many locations throughout the NWT as well as some locations in Nunavut, Saskatchewan, and Alberta.

The films and videocassettes include footage of dog teams, life at Colville Lake, Fort McMurray, Alberta, Aklavik, Husky Lakes, Whitefish Station, Tulita (Fort Norman), Nahanni Butte, Fort Simpson, Bern Will Brown, various Catholic priests and bishops, fishing, children at play, aircraft, construction of the mission, reindeer, whaling, trapping, hunting, church services, many local families including: Kochon, Codzi, Masuzumi, Cotchilly, Oudzi and political visitors such as Governors-General.

The fonds consists of records of Arthur Boutilier's professional and personal life. The records include records drawings, maps and planning documents related to his training and work in architecture, urban design and national park planning, land use and management plans, supplemented with posters, maps, drawings, and diagrams to support the process, a 1976 trip journal, writings about Arthur's life both written by him and others, and photographs taken by Arthur, supplemented by reflections on photography and memorabilia from some of his photography exhibits. The records are grouped into four series: Portfolios, Land Use and Management Planning, Writings, and Photography, with some overlap between them.