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The film was shot in Inuvik and the Mackenzie delta region circa 1964-1967. The filmmaker is Terry F. Keim. The film features the [196? and 1967] Inuvik Muskrat Jamboree, aerial views of Inuvik, various buildings in the townsite, airplanes and the Inuvik airport, and extensive footage of drum dancers in traditional costumes. A complete shot listing is located in the accession file.

This fonds consists of 368 colour slides taken by Dr. Hunt between 1948 and 1956. The images were taken in the communities he visited in his capacity as a dentist. Communities depicted include Aklavik, Fort Rae, Fort Resolution, Fort McPherson, Fort Simpson, Tuktoyaktuk, Wrigley, Fort Smith, Coppermine and Old Crow. The images depict residents and buildings in these communities. Buildings depicted include Royal Canadian Mounted Police detachments, Hudson's Bay Company posts, Anglican Churches and Roman Catholic Churches. The fonds also includes images of Gwich'in, Dogrib, Inuvialuit, and Slavey peoples. There are some images of Inuvialuit dancers and drummers. A number of images were taken in Dr. Hunt's dental office and include close-ups of his dental equipment. There are also a number of images of reindeer herding and reindeer corrals in the Mackenzie Delta, and a buffalo hunt in Wood Buffalo National Park.

Records include photographs taken by Georgie Stone in the process of preparing a magazine article on northern artists. Featured are two Inuvialuit carvers, Iyak (Fred Trimble) and Rex Goose, and one Inuit graphic artist, Peter Ragee of Cape Dorset. Images depict the artists while carving and drawing, and finished works.

This accession consists of one black and white mounted photograph of Mamie Mamayok of Holman taken by John Stanners in 1962.

The textual records consist of a copy of hand written family trees for the Ruben and Thrasher families compiled by Esther Atkin Ruben. The images were collected by David Ruben and show groups of people from the Tuktoyaktuk, Baillie Island and Paulatuk areas. Item :0001 was taken at Tuktoyaktuk in 1945 and shows (l to r) Simon Kubluk, Charlie Thasher, Brother Michael Dobrowski, (behind) Peter Thrasher, Billy Thrasher, Alice Thrasher (Billy's second wife), George Thrasher, and Henry Anderson. Item :0002 was taken at Baillie Island in 1930 and shows (l to r) Mona Thrasher (Billy's first wife), his baby sister Misanik (deceased), Billy Thrasher, Mary Thrasher Kotokak of Tuktoyaktuk (deceased), Bertha Thrasher Ruben of Paulatuk (married Billy Ruben) and George Thrasher. Item :0003 shows Anglik Ruben, Shukialuk Susie Ruben and Mona Ruben Wolki (Paulatuk). Item :0004 shows Bertha Ruben with her children: Bernie Ruben Kuptana of Tuktoyaktuk, Christine Ruben Kudlak of Paulatuk and Joe Robert Ruben of Paulatuk.

This accession consists of one photograph (colour print) of Margaret Cockney at a drum dance in Tuktoyaktuk in the 1950s.

Records include photographs of the Holman region copied from the original images. The images primarily document people in the community and show traditional activities, camps and domestic life. In addition, there are images of the Roman Catholic mission, boats such as the "Mary", and priests Father Tardy and Father Metayer.

The majority of the images appear to have been taken by Roman Catholic Father Maurice Metayer and show Holman, the old settlement of Holman at King's Bay, and residents of Mashoagak.

The photographs were taken by Gladys Vear during her residency at Discovery Mine, Northwest Territories, between 1955-1968. Mrs. Vear was an active member of the Discovery Mines chapter of the Women's Institute, and she travelled to various arctic communities (Tuktoyaktuk and Coppermine) to speak with Aboriginal women and instruct them on electric sewing machines.

Ten of the photos appear in Schwarz's book "Elik: and other stories of the Mackenzie Eskimos" and are portraits of the storytellers. These include Archie (Headpoint) Erigaktuk, Kenneth Peeloolook, Sarah Raddi, Jessie Olorgrak, Susie Tiktalik, Felix Nuyaviak, William Firth, Elizabeth Blake, Alik Alubuk Stefansson, and Alex Kakianen. Other images are of Herbert Schwarz and the gravemarker for Constable R. O. H. Taylor of the "Lost Patrol."

This accession consists of eight black and white prints that were taken either at, or in the vicinity of, Kittiyakyut (Kittigazuit) in the Mackenzie Delta. They appear to date from the mid 1940s to the late 1950s. Kittiyakyut was a traditional whaling camp for the Inuvialuit who occupy the Delta. The images depict scows, tugboats, stages used to dry whale meat, and some of the Inuvialuit who occupied the region. Locations include Whitefish Point (Nalruriam Nuvuaq), Whitefish Station (Nalruriak), and Kittigazuit (Kittiyakyut).

This fonds consists of 296 reel to reels (original masters) and 678 audio cassettes (original masters) copied to 661 sound CDs (RedBook Audio format - Archival Masters), which contain approximately 1013 oral history recordings and 1.2 meters of transcriptions from the Committee for Original People's Entitlement (COPE). The sound CDs constitute the archival masters. These recordings are in Inuvialuktun, Gwich'in and North Slavey and contain life stories of elders as well as traditional legends. Many of the recordings are part of CBC broadcast programming.